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The Digital Museum and the Art Ecosystem

Why do art museums exist? To preserve the cultural heritage represented by art objects and educate the public about art, if you examine museum charters. But why do they survive? Or more to the point, how do they survive? Museums are expensive operations and the immediate economic value of the cultural heritage and public education they provide may seem small, at least to the narrow-minded. Nonetheless, museums seem to survive and even thrive, so there is some sort of economic engine operating behind the scenes. What can it be? Well, let's examine the set of players involved in art. There are artists and collectors, of course. Beyond that there is the general public, people who are in the main neither artists nor collectors. Next we have museums, which are different from collectors in the use to which they put their collections. Collectors assemble art for their own enjoyment, while museums do so in order to share it with the general public. There are middlemen like art d...

Books versus Covers

Back when I was a young scholar there were several things one learned that violated the "never judge a book by its cover" rule. One was that when you saw a disheveled fellow walking down the street talking to himself, you could reliably assume that he was disturbed and probably not taking his medication. And you could assume that a nicely typeset and printed article was worth reading. Things have changed. Now when you see an unshaven fellow in rumpled clothes walking down the street conducting an animated conversation you can't assume that he's off his Chlorpromazine . He might just as well be an investment banker working on a big deal. Why did typesetting signify quality writing? Dating from the days of Aldus Manutius typesetting a book or an article attractively in justified columns using proportionally spaced fonts was a time-consuming task involving expensive skilled labor. Because of that high up-front cost, publishers insisted on strong controls on what ma...

Fixing a bug in the TreeTable2 example

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This New Year I resolved to run backups of our computers regularly in 2007. My vague plan was to dump the data to DVDs, since both of our newest machines, a Dell PC running Windows XP Pro and a Mac have DVD burners. What, to my dismay, did I learn when I examined the Properties of my home directory on the PC? It weighs in at over 140 gigabytes. The DVDs hold about 6 gigabytes, so it would take at least 24 DVDs to run a backup. Aside from the cost, managing 24 DVDs sort of defeats the purpose. Before going to plan B, getting an outboard disk drive to use as the backup device, I thought I'd investigate all of this growth in my home directory. Last time I looked, my home directory was less than 10 gigabytes. In the past I've used du from the bash command line to investigate the file system. This is powerful, but it's slow and very painful. What I really wanted was a tree browser that was smart enough to show me the size of each subtree. In a project that I'd worked ...

Source code and education

For a long time I've been interested in how good programmers get that way. Back in 2002 I posted a comment to a mailing list of hackers. This group is the original sort of hackers - people who program for love, not the modern sort who write viruses and try to crack systems. One of them was so taken by it that he posted it on his own website What it says is: If we taught writing the way we try to teach programming ... Imagine if we tried to teach writing (in English or any other natural language) the way we try to teach programming. We'd give students dictionaries and grammar books. We'd lecture them on the abstract structure of stories. We'd give them dreadful stuff to read - only things written by the most junior writers, like advanced underclassmen or young grad students (some of whom can indeed write well, but most of whom are dreadful). We'd keep the great literature secret. Shakespeare would be locked up in a corporate vault somewhere. Dickens would be classif...